139 bars of 4/4 at 152 BPM, about 3:39 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 32, 34-40 and 48, and 5 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 33, 41, 49, 57, 66, 74 and 6 more.
3 more fills are written out on the fills page.
139 bars across 13 sections: 68 keep time, 12 are fills, 25 are stops and 23 are silent. The longest unbroken stretch of time is bars 8-23.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
139 bars, about 3:39 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 33, 41, 49, 57, 66, 74 and 6 more.