109 bars of 4/4 at a walking 107 BPM, 4:03 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31-33, 35-36 and 60-62, and 5 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 9 times: bars 20, 24, 38, 46, 50, 54 and 3 more.
4 more fills are written out on the fills page.
109 bars across 18 sections: 62 keep time, 9 are fills, 5 are stops and 19 are silent. The longest unbroken stretch of time is bars 30-37.
107 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 40 out of 100; the rest of the number is everything around it.
109 bars, about 4:03 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 9 times: bars 20, 24, 38, 46, 50, 54 and 3 more.