81 bars, 5:23, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 70-72, 74-76 and 78-80 -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 8 times: bars 5, 39, 43, 47, 67, 69 and 2 more.
3 more fills are written out on the fills page.
81 bars across 14 sections: 59 keep time, 8 are fills and 10 are silent. The longest unbroken stretch of time is bars 11-18.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
64 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 46 out of 100; the rest of the number is everything around it.
81 bars, about 5:23 at the written tempo. The course breaks it into 40 exercises over 15 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 5, 39, 43, 47, 67, 69 and 2 more.