310 bars of 4/4 at 131 BPM, about 9:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-31, 37-39 and 45-47, and 15 more places -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 37 times: bars 1, 2, 6, 10, 78, 98 and 31 more.
13 more fills are written out on the fills page.
310 bars across 31 sections: 208 keep time, 37 are fills, 19 are stops and 9 are silent. The longest unbroken stretch of time is bars 279-303.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
310 bars, about 9:28 at the written tempo. The course breaks it into 71 exercises over 19 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 37 times: bars 1, 2, 6, 10, 78, 98 and 31 more.