442 bars of 3/4 -- not four -- at 150 BPM, 8:50 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 46-63, 65 and 67-75, and 5 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 41 times: bars 22, 44, 64, 66, 76, 86 and 35 more.
11 more fills are written out on the fills page.
442 bars across 18 sections: 262 keep time, 41 are fills, 53 are stops and 70 are silent. The longest unbroken stretch of time is bars 173-200.
150 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
442 bars, about 8:50 at the written tempo. The course breaks it into 61 exercises over 15 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 41 times: bars 22, 44, 64, 66, 76, 86 and 35 more.