391 bars of 4/4 at 120 BPM, about 12:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 34-49, 66-81 and 98-116, and 5 more places -- 28.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 31 times: bars 21, 29, 33, 53, 61, 65 and 25 more.
6 more fills are written out on the fills page.
391 bars across 25 sections: 196 keep time, 32 are fills, 87 are stops and 51 are silent. The longest unbroken stretch of time is bars 280-302.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
391 bars, about 12:10 at the written tempo. The course breaks it into 59 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 31 times: bars 21, 29, 33, 53, 61, 65 and 25 more.