184 bars of 8/4 -- not four -- at 140 BPM, 10:26 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 32-34, 42 and 44, and 1 more place -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 1, 27, 28, 29, 30, 31 and 10 more.
6 more fills are written out on the fills page.
184 bars across 11 sections: 46 keep time, 16 are fills and 109 are silent. The longest unbroken stretch of time is bars 52-61.
140 BPM, in 8/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
184 bars, about 10:26 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 1, 27, 28, 29, 30, 31 and 10 more.