232 bars of 4/4 at a walking 107 BPM, 8:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 85-99 -- 7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 53 times: bars 31, 42, 50, 80, 81, 82 and 47 more.
16 more fills are written out on the fills page.
232 bars across 28 sections: 114 keep time, 53 are fills, 24 are stops and 18 are silent. The longest unbroken stretch of time is bars 86-99.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
232 bars, about 8:36 at the written tempo. The course breaks it into 95 exercises over 26 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 53 times: bars 31, 42, 50, 80, 81, 82 and 47 more.