59 bars, 3:03, at 74 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 9-10, 17-18 and 20-23, and 3 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 4, 8, 16, 24, 28, 35 and 7 more.
4 more fills are written out on the fills page.
59 bars across 4 sections: 37 keep time, 13 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 17-23.
74 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
59 bars, about 3:03 at the written tempo. The course breaks it into 23 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 4, 8, 16, 24, 28, 35 and 7 more.