190 bars of 4/4 at 115 BPM, about 6:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 50, 150 and 153-165, and 1 more place -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 37 times: bars 14, 15, 16, 24, 28, 32 and 31 more.
7 more fills are written out on the fills page.
190 bars across 18 sections: 123 keep time, 38 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 60-92.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 72 out of 100; the rest of the number is everything around it.
190 bars, about 6:29 at the written tempo. The course breaks it into 64 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 37 times: bars 14, 15, 16, 24, 28, 32 and 31 more.