150 bars, 8:58, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 102-117 -- 9.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 22 times: bars 1, 2, 3, 4, 5, 10 and 16 more.
5 more fills are written out on the fills page.
172 bars across 19 sections: 116 keep time, 22 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 32-46.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
150 bars, about 8:58 at the written tempo. The course breaks it into 64 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 1, 2, 3, 4, 5, 10 and 16 more.