135 bars of 4/4 at a walking 100 BPM, 5:24 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 50-52, 54-56 and 66-68, and 5 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 19 times: bars 25, 41, 45, 49, 53, 57 and 13 more.
1 more fill is written out on the fills page.
135 bars across 12 sections: 98 keep time, 19 are fills and 4 are stops. The longest unbroken stretch of time is bars 1-24.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
135 bars, about 5:24 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 19 times: bars 25, 41, 45, 49, 53, 57 and 13 more.