172 bars, 9:50, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 12-14, 16-22 and 24-26, and 6 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 35 times: bars 11, 27, 34, 35, 42, 43 and 29 more.
6 more fills are written out on the fills page.
172 bars across 21 sections: 110 keep time, 37 are fills and 6 are stops. The longest unbroken stretch of time is bars 107-122.
70 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
172 bars, about 9:50 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 35 times: bars 11, 27, 34, 35, 42, 43 and 29 more.