206 bars of 4/4 at 135 BPM, about 5:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2, 6-7 and 10, and 11 more places -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 91 times: bars 5, 7, 9, 13, 15, 17 and 85 more.
18 more fills are written out on the fills page.
206 bars across 10 sections: 80 keep time, 91 are fills, 10 are stops and 16 are silent. The longest unbroken stretch of time is bars 89-105.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
206 bars, about 5:54 at the written tempo. The course breaks it into 50 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 91 times: bars 5, 7, 9, 13, 15, 17 and 85 more.