141 bars of 4/4 at a walking 77 BPM, 7:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-11, 13-15 and 17-19, and 5 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 31 times: bars 66, 70, 71, 72, 73, 74 and 25 more.
6 more fills are written out on the fills page.
141 bars across 16 sections: 69 keep time, 31 are fills, 14 are stops and 20 are silent. The longest unbroken stretch of time is bars 52-57.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
141 bars, about 7:30 at the written tempo. The course breaks it into 41 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 31 times: bars 66, 70, 71, 72, 73, 74 and 25 more.