102 bars of 4/4 at a walking 80 BPM, 5:06 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 49-55 and 87-102 -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 10 times: bars 4, 20, 24, 36, 40, 44 and 4 more.
102 bars across 14 sections: 61 keep time, 10 are fills, 5 are stops and 13 are silent. The longest unbroken stretch of time is bars 88-102.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
102 bars, about 5:06 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 4, 20, 24, 36, 40, 44 and 4 more.