74 bars of 4/4 at a walking 84 BPM, 3:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-5, 15 and 18-19, and 7 more places -- 30.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 9 times: bars 20, 37, 38, 41, 42, 48 and 3 more.
3 more fills are written out on the fills page.
74 bars across 8 sections: 53 keep time, 9 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 62-73.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
74 bars, about 3:30 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 20, 37, 38, 41, 42, 48 and 3 more.