83 bars of 4/4 at a walking 76 BPM, 4:22 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-25, 27-29 and 43-45, and 5 more places -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 9 times: bars 10, 14, 22, 34, 42, 61 and 3 more.
83 bars across 11 sections: 61 keep time, 9 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 72-82.
76 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
83 bars, about 4:22 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 10, 14, 22, 34, 42, 61 and 3 more.