178 bars, 11:13, at 62 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 22-24, and 9 more places -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 5, 9, 25, 76, 77, 78 and 15 more.
8 more fills are written out on the fills page.
178 bars across 11 sections: 138 keep time, 21 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 51-73.
62 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
178 bars, about 11:13 at the written tempo. The course breaks it into 59 exercises over 23 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 5, 9, 25, 76, 77, 78 and 15 more.