113 bars of 4/4 at 125 BPM, about 3:36 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-25, 27-28 and 43, and 13 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 20 times: bars 5, 9, 21, 41, 50, 54 and 14 more.
5 more fills are written out on the fills page.
113 bars across 7 sections: 75 keep time, 20 are fills and 9 are stops. The longest unbroken stretch of time is bars 22-30.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
113 bars, about 3:36 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 5, 9, 21, 41, 50, 54 and 14 more.