131 bars of 4/4 at 112 BPM, about 4:41 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 30-31, 34 and 64-65, and 10 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 28, 32, 36, 62, 66, 74 and 9 more.
3 more fills are written out on the fills page.
131 bars across 8 sections: 86 keep time, 15 are fills, 3 are stops and 18 are silent. The longest unbroken stretch of time is bars 41-61.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
131 bars, about 4:41 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 28, 32, 36, 62, 66, 74 and 9 more.