98 bars of 4/4 at 120 BPM, about 3:16 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 19-20 and 22-23, and 9 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 16 times: bars 1, 2, 3, 4, 39, 40 and 10 more.
3 more fills are written out on the fills page.
98 bars across 6 sections: 70 keep time, 16 are fills, 4 are stops and 2 are silent. The longest unbroken stretch of time is bars 7-38.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
98 bars, about 3:16 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 1, 2, 3, 4, 39, 40 and 10 more.