129 bars of 4/4 at a walking 82 BPM, 6:18 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13, 23-30 and 33, and 24 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 20 times: bars 22, 48, 54, 58, 60, 62 and 14 more.
8 more fills are written out on the fills page.
129 bars across 9 sections: 93 keep time, 20 are fills, 4 are stops and 2 are silent. The longest unbroken stretch of time is bars 6-21.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
129 bars, about 6:18 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 20 times: bars 22, 48, 54, 58, 60, 62 and 14 more.