160 bars at 180 BPM -- fast, and 3:33 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 76-77, and 2 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 35 times: bars 20, 28, 36, 44, 45, 46 and 29 more.
8 more fills are written out on the fills page.
160 bars across 19 sections: 95 keep time, 35 are fills, 6 are stops and 4 are silent. The longest unbroken stretch of time is bars 129-144.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
160 bars, about 3:33 at the written tempo. The course breaks it into 60 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 35 times: bars 20, 28, 36, 44, 45, 46 and 29 more.