156 bars of 4/4 at 111 BPM, about 5:36 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-37, 40 and 44-45, and 25 more places -- 26.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 13 times: bars 5, 31, 42, 46, 85, 99 and 7 more.
4 more fills are written out on the fills page.
156 bars across 8 sections: 88 keep time, 13 are fills, 41 are stops and 4 are silent. The longest unbroken stretch of time is bars 6-30.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
156 bars, about 5:36 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 5, 31, 42, 46, 85, 99 and 7 more.