145 bars at 162 BPM -- fast, and 3:35 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 7 and 27-29, and 21 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 10, 26, 30, 38, 42, 46 and 16 more.
6 more fills are written out on the fills page.
145 bars across 23 sections: 91 keep time, 22 are fills, 8 are stops and 8 are silent. The longest unbroken stretch of time is bars 11-17.
162 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
145 bars, about 3:35 at the written tempo. The course breaks it into 47 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 10, 26, 30, 38, 42, 46 and 16 more.