95 bars of 4/4 at a walking 90 BPM, 4:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 17-19, 21-23 and 41-43, and 1 more place -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 31 times: bars 1, 2, 3, 4, 8, 12 and 25 more.
9 more fills are written out on the fills page.
95 bars across 12 sections: 45 keep time, 31 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 79-85.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 73 out of 100; the rest of the number is everything around it.
95 bars, about 4:12 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 31 times: bars 1, 2, 3, 4, 8, 12 and 25 more.