136 bars of 4/4 at a walking 100 BPM, 5:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-17, 23-30 and 41-47, and 4 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 16 times: bars 38, 48, 56, 60, 64, 68 and 10 more.
3 more fills are written out on the fills page.
136 bars across 8 sections: 97 keep time, 16 are fills, 4 are stops and 14 are silent. The longest unbroken stretch of time is bars 89-136.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
136 bars, about 5:26 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 38, 48, 56, 60, 64, 68 and 10 more.