76 bars of 4/4 at a walking 92 BPM, 3:18 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 19, and 12 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 26 times: bars 4, 12, 13, 14, 15, 16 and 20 more.
8 more fills are written out on the fills page.
76 bars across 10 sections: 34 keep time, 26 are fills and 7 are silent. The longest unbroken stretch of time is bars 5-8.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
76 bars, about 3:18 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 26 times: bars 4, 12, 13, 14, 15, 16 and 20 more.