112 bars of 4/4 at a walking 104 BPM, 4:37 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 87-91, 93-97 and 99-103 -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 32 times: bars 6, 7, 8, 9, 10, 11 and 26 more.
1 more fill is written out on the fills page.
112 bars across 8 sections: 37 keep time, 32 are fills, 9 are stops and 30 are silent. The longest unbroken stretch of time is bars 87-104.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
112 bars, about 4:37 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 32 times: bars 6, 7, 8, 9, 10, 11 and 26 more.