109 bars of 4/4 at 122 BPM, about 3:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 29-30, 33-34 and 37-38, and 1 more place -- 9.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 27 times: bars 8, 12, 20, 24, 29, 30 and 21 more.
9 more fills are written out on the fills page.
109 bars across 10 sections: 47 keep time, 27 are fills, 3 are stops and 22 are silent. The longest unbroken stretch of time is bars 74-79.
122 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
109 bars, about 3:34 at the written tempo. The course breaks it into 47 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 27 times: bars 8, 12, 20, 24, 29, 30 and 21 more.