143 bars of 4/4 at 140 BPM, about 4:05 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-28, 30 and 42, and 9 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 80 times: bars 21, 22, 23, 24, 25, 29 and 74 more.
16 more fills are written out on the fills page.
143 bars across 15 sections: 47 keep time, 80 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 3-8.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
143 bars, about 4:05 at the written tempo. The course breaks it into 58 exercises over 19 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 80 times: bars 21, 22, 23, 24, 25, 29 and 74 more.