96 bars of 4/4 at a walking 90 BPM, 4:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-15, 25-28 and 33-36, and 1 more place -- 32.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 13 times: bars 16, 31, 32, 40, 80, 81 and 7 more.
1 more fill is written out on the fills page.
96 bars across 15 sections: 58 keep time, 13 are fills, 2 are stops and 15 are silent. The longest unbroken stretch of time is bars 5-15.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
96 bars, about 4:16 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 16, 31, 32, 40, 80, 81 and 7 more.