109 bars of 4/4 at 120 BPM, about 3:38 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-31, 33-35 and 61-63, and 5 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 6 times: bars 32, 64, 92, 96, 104 and 108.
109 bars across 15 sections: 78 keep time, 6 are fills, 2 are stops and 13 are silent. The longest unbroken stretch of time is bars 9-20.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
109 bars, about 3:38 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 32, 64, 92, 96, 104 and 108.