147 bars of 4/4 at a walking 100 BPM, 5:52 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-15, 26-27 and 71-79, and 1 more place -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 33 times: bars 42, 55, 56, 57, 58, 65 and 27 more.
4 more fills are written out on the fills page.
147 bars across 9 sections: 97 keep time, 34 are fills and 6 are silent. The longest unbroken stretch of time is bars 17-39.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
147 bars, about 5:52 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 33 times: bars 42, 55, 56, 57, 58, 65 and 27 more.