76 bars of 4/4 at a walking 90 BPM, 3:21 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 19-20, 23-24 and 44-45, and 2 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 7 times: bars 31, 38, 40, 68, 72, 74 and 1 more.
2 more fills are written out on the fills page.
76 bars across 8 sections: 51 keep time, 7 are fills and 10 are stops. The longest unbroken stretch of time is bars 61-67.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
76 bars, about 3:21 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 31, 38, 40, 68, 72, 74 and 1 more.