98 bars of 4/4 at a walking 95 BPM, 4:08 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 29-31, 33-35 and 49-51, and 3 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 22 times: bars 1, 2, 4, 13, 15, 20 and 16 more.
8 more fills are written out on the fills page.
98 bars across 14 sections: 47 keep time, 22 are fills, 4 are stops and 8 are silent. The longest unbroken stretch of time is bars 67-73.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
98 bars, about 4:08 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 22 times: bars 1, 2, 4, 13, 15, 20 and 16 more.