69 bars, 3:57, at 59 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 22-23 and 37-39 -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 22 times: bars 23, 24, 25, 26, 27, 28 and 16 more.
3 more fills are written out on the fills page.
69 bars across 10 sections: 24 keep time, 22 are fills and 12 are silent. The longest unbroken stretch of time is bars 30-34.
59 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
69 bars, about 3:57 at the written tempo. The course breaks it into 34 exercises over 13 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 22 times: bars 23, 24, 25, 26, 27, 28 and 16 more.