84 bars of 4/4 at a walking 83 BPM, 4:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15-18, 21 and 38 -- 7.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 20 times: bars 13, 22, 26, 29, 34, 35 and 14 more.
7 more fills are written out on the fills page.
84 bars across 10 sections: 44 keep time, 20 are fills and 7 are silent. The longest unbroken stretch of time is bars 68-76.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
84 bars, about 4:03 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 20 times: bars 13, 22, 26, 29, 34, 35 and 14 more.