659 bars of 3/4 -- not four -- at 95 BPM, 25:03 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 123, 125 and 127, and 23 more places -- 7.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
61 fills to learn, played 171 times: bars 1, 2, 3, 4, 15, 16 and 165 more.
59 more fills are written out on the fills page.
659 bars across 70 sections: 334 keep time, 171 are fills, 23 are stops and 43 are silent. The longest unbroken stretch of time is bars 184-201.
95 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
659 bars, about 25:03 at the written tempo. The course breaks it into 227 exercises over 74 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
61 fills to learn, played 171 times: bars 1, 2, 3, 4, 15, 16 and 165 more.