143 bars, 7:50, at 73 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 34, 40-42 and 44-46, and 4 more places -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 17 times: bars 3, 5, 35, 37, 54, 83 and 11 more.
10 more fills are written out on the fills page.
143 bars across 15 sections: 106 keep time, 17 are fills and 1 is a stop. The longest unbroken stretch of time is bars 11-25.
73 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
64 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 28 out of 100; the rest of the number is everything around it.
143 bars, about 7:50 at the written tempo. The course breaks it into 59 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 17 times: bars 3, 5, 35, 37, 54, 83 and 11 more.