125 bars of 4/4 at 112 BPM, about 4:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-18, 85-87 and 89-91 -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 40 times: bars 22, 31, 33, 34, 35, 36 and 34 more.
10 more fills are written out on the fills page.
125 bars across 14 sections: 61 keep time, 40 are fills, 11 are stops and 2 are silent. The longest unbroken stretch of time is bars 2-9.
112 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 52 out of 100; the rest of the number is everything around it.
125 bars, about 4:22 at the written tempo. The course breaks it into 57 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 40 times: bars 22, 31, 33, 34, 35, 36 and 34 more.