115 bars of 4/4 at 135 BPM, about 3:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 7 and 10-16, and 3 more places -- 15.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 17 times: bars 1, 18, 19, 20, 21, 25 and 11 more.
8 more fills are written out on the fills page.
115 bars across 14 sections: 77 keep time, 17 are fills, 7 are stops and 2 are silent. The longest unbroken stretch of time is bars 2-16.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
86 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 56 out of 100; the rest of the number is everything around it.
115 bars, about 3:24 at the written tempo. The course breaks it into 46 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 1, 18, 19, 20, 21, 25 and 11 more.