121 bars of 4/4 at 140 BPM, about 3:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-27, 30-31 and 34-35, and 2 more places -- 10.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 25, 42, 43, 49, 54, 55 and 14 more.
6 more fills are written out on the fills page.
121 bars across 14 sections: 59 keep time, 20 are fills, 1 is a stop and 25 are silent. The longest unbroken stretch of time is bars 26-41.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
121 bars, about 3:27 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 25, 42, 43, 49, 54, 55 and 14 more.