112 bars of 4/4 at 140 BPM, about 3:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 6-7 and 10-12, and 4 more places -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 12 times: bars 8, 16, 24, 28, 40, 48 and 6 more.
4 more fills are written out on the fills page.
112 bars across 15 sections: 71 keep time, 12 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 17-23.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
112 bars, about 3:12 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 8, 16, 24, 28, 40, 48 and 6 more.