145 bars at 185 BPM -- fast, and 3:08 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 19-21 and 77, and 16 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 28 times: bars 7, 8, 16, 32, 40, 48 and 22 more.
14 more fills are written out on the fills page.
145 bars across 16 sections: 81 keep time, 28 are fills, 14 are stops and 6 are silent. The longest unbroken stretch of time is bars 33-39.
185 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
145 bars, about 3:08 at the written tempo. The course breaks it into 58 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 28 times: bars 7, 8, 16, 32, 40, 48 and 22 more.