97 bars of 4/4 at a walking 102 BPM, 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 32-35, 40 and 42, and 2 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 34 times: bars 7, 9, 10, 11, 12, 13 and 28 more.
9 more fills are written out on the fills page.
97 bars across 9 sections: 40 keep time, 34 are fills, 6 are stops and 8 are silent. The longest unbroken stretch of time is bars 1-6.
102 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
97 bars, about 3:49 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 34 times: bars 7, 9, 10, 11, 12, 13 and 28 more.