392 bars of 4/4 at 143 BPM, about 10:40 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 280-294, 304-318 and 340-354, and 1 more place -- 14.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 44 times: bars 8, 16, 26, 34, 42, 54 and 38 more.
15 more fills are written out on the fills page.
392 bars across 24 sections: 179 keep time, 44 are fills, 125 are stops and 18 are silent. The longest unbroken stretch of time is bars 229-271.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
392 bars, about 10:40 at the written tempo. The course breaks it into 84 exercises over 21 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 44 times: bars 8, 16, 26, 34, 42, 54 and 38 more.