151 bars, 8:39, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 14-19, 22-27 and 38-43, and 2 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 40 times: bars 1, 3, 5, 7, 11, 13 and 34 more.
6 more fills are written out on the fills page.
151 bars across 19 sections: 79 keep time, 40 are fills, 6 are stops and 16 are silent. The longest unbroken stretch of time is bars 110-124.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
151 bars, about 8:39 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 40 times: bars 1, 3, 5, 7, 11, 13 and 34 more.