82 bars, 4:36, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 7-8, 11-12 and 18-20, and 2 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 29 times: bars 5, 9, 13, 14, 15, 16 and 23 more.
8 more fills are written out on the fills page.
82 bars across 7 sections: 39 keep time, 29 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 54-63.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
76 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 74 out of 100; the rest of the number is everything around it.
82 bars, about 4:36 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 29 times: bars 5, 9, 13, 14, 15, 16 and 23 more.